LONDON, ENGLAND – SEPTEMBER 15: Cara Delevingne attends the Burberry Prorsum show during London Fashion Week Spring Summer 2015 on September 15, 2014 in London, England. (Photo by Anthony Harvey/Getty Images)

Cara Delevingne has revealed she almost died in London after overdosing on drugs while battling addiction to liquid ecstasy, in a raw account that lays bare just how close the British supermodel came to losing everything.

For context, the 33-year-old star has spoken before about spiralling substance use and a decision to get sober after a string of worrying public appearances. This latest account, given on a podcast and shared with contacts in her circle, opens a more uncomfortable chapter, charting how a dependence on the industrial solvent GBL, often nicknamed liquid ecstasy, collided with contaminated cocaine and left her unconscious, surrounded by paramedics.

The near-fatal overdose, she explained, did not come at the height of the party years but as she was trying, and failing, to get clean. Work was drying up. The chaos that had long been background noise to her life had finally started hitting her in the bank account, and in the mirror.

Cara Delevingne’s Liquid Ecstasy Battle Turns Deadly

The news came after Delevingne admitted she had to be ‘medically weaned off’ GBL because she could not manage withdrawal alone. GBL, a central nervous system depressant, is notorious among addiction specialists for its brutal comedown. Delevingne did not use clinical language, she just called it ‘probably the hardest one to come off’.

‘I knew I needed to get sober,’ she recalled. ‘So I medically was weaned off GBL. But I couldn’t do it at home. I couldn’t deal because the more sober I got, the more I realised how badly I f—– up, and that just was too much.’

That spike in clarity, which should have been a relief, became a trigger. She said she could not stay sober, relapsed, and then overdosed after taking cocaine she now believes was cut with opioids. She did not know, at the time, what was in it. Her body did.

ALSO READ:  Too much even for Cara Delevingne? Actress felt uncomfortable in 'Planet Sex' docuseries

Delevingne said she was revived in hospital with naloxone, the emergency medication used by paramedics to reverse opioid overdoses. According to her account, she woke up pinned to a trolley by male medics, disoriented and terrified, with police and ambulance staff surrounding her.

‘I was narcaned, was in hospital, and that’s really when everything happened because when I woke up… the ambulance people. It’s heavy. I was being held down by men to a thing, and I didn’t know what was happening. It was horrible,’ she said.

Her girlfriend, she added, had called for help and watched the whole thing unfold. ‘My girlfriend had called the police. The ambulance, police, whatever. Horrible for her.’

A source close to the actor said her willingness to spell out the details is deliberate, not self-punishing. ‘Cara has never hidden how difficult recovery has been, but speaking so openly about almost losing her life shows how determined she is to remove the stigma around addiction. She knows her experience could encourage others to seek help before reaching a crisis point,’ the insider said.

Cara Delevingne On Shame, Seizures And Burning Man

If the overdose was a physical line in the sand, the emotional fallout came later, in a hospital ward that was supposed to represent safety. Delevingne said the first feeling when she came round was not gratitude but shame.

‘Immediately. I was like, “I can’t,”’ she explained. ‘What you’ve just put people you love through, and you see the pain in their face. The shame. Oh, that makes me want to cry, and it’s horrible. It’s hard to forgive yourself for that. That was one of the most painful things that’s happened to me, so doing that to someone else is really rough.’

ALSO READ:  Amber Heard appeals $10M Johnny Depp defamation verdict, seeks new trial

Another person familiar with her recovery put it bluntly: ‘For Cara, recovery wasn’t just about stopping drugs. It meant confronting everything she had been trying to escape, and that’s often the hardest part of getting well.’

In case you missed it, the public first saw how bad things had become in 2022, after Delevingne left the Burning Man festival in Nevada. Paparazzi shots of her stumbling at a US airport, shoeless and visibly distressed, ripped around social media within hours. Comment sections filled up with armchair diagnoses and cruel jokes. The reality, as she now tells it, was uglier.

She revealed those photographs were taken shortly after she had suffered a drug-induced seizure. ‘I was mentally unwell for sure, not lack of sleep. I’d just had a seizure. I was not sober, for sure,’ she admitted.

She described the build-up in almost domestic terms. Too many bags, not enough time, a body that simply gave out. ‘I was taking a lot of drugs, there was a certain amount of time we had to leave, and I always overpack for Burning Man. I was just carrying loads of suitcases, and my body just couldn’t take it, and I had a seizure. Which again, never seen myself have a seizure, but I’ve had a bunch.’

Then she added the part that was always missing from the online commentary. ‘Drug-induced. Yeah, either lack of drugs or too many drugs.’

Celebeat cannot independently verify every medical detail in Delevingne’s recollection, so take everything lightly. But the broad outline, the seizures and the hospital treatment, matches what friends and colleagues had been whispering about for months.

Lost Jobs, Brand Fallout And The Long Road Back

For starters, the Burning Man pictures did not just cost Delevingne pride. They cost her money. The model told how brands quietly backed away once the images went viral.

ALSO READ:  Young Thug lawyer going to jail if 17-page essay for contempt will not be submitted

‘Yeah, for sure, because people saw it. It was everywhere. I lost jobs. That sucked. People were really worried. That sucked. I got so many messages. It was horrible,’ she said.

Asked if companies were spooked because it was not ‘a good look’, she did not argue. ‘Yeah, it’s not a good look. As a model, you’re meant to upkeep the brand’s standards in some way. Like, it’s in contracts that you sign. So, they didn’t directly fire me because of it, but they didn’t renew contracts.’

It is the kind of brutally transactional detail that rarely makes it into glossy recovery narratives. One moment she is the face of luxury houses, the next she is a reputational risk. For an industry that sells fantasy, the sight of a marquee model having a seizure on a tarmac is, in corporate terms, bad for business.

Yet even people who have made serious money from her image sound more worried than cold. Messages poured in from colleagues and friends who had watched her career from the front row. Some asked whether she was safe. Others, quietly, asked how to help.

Behind the scenes, her circle say that overdose night, the hospital, the look on her partner’s face, has become the story she returns to when the whole sobriety thing feels impossible. That and the screenshots of those airport photos, which are a kind of public scar tissue now.


Discover more from CELEBEAT

Subscribe to get the latest posts sent to your email.

You May Also Like

Prince Harry, Meghan ‘fought hard to attack’ royal family despite reconciliation comments: Royal expert

A reconciliation between Prince Harry and Meghan Markle and the royal family may not happen anytime soon, a royal expert has claimed.

Ellen DeGeneres shock: Anne Heche gave Portia de Rossi a serious warning about her ex

Anne Heche shockingly told Portia de Rossi about a red flag of Ellen DeGeneres.

Ari Lennox heard fans’ pleas for a tour: Singer announces tour after Grammys snub

Ari Lennox has officially announced that she will hit the road for her “age/sex/location” tour, four years after her first.

Harry Styles new GF? Singer spotted blowing kisses At THIS model while singing ‘Love of My Life’

At one of his Los Angeles shows, fans saw Harry Styles performing one of his most popular songs and even sending out a flying kiss to one of the models in the audience.